Wiener Akademie - Orchester Wiener Akademie

Orchester Wiener Akademie

Martin Haselböck

News

RESOUND Beethoven Box

After four years of intensive work, we've finished the world's first complete recoring of the nine symphonies of Beethoven on original instruments in the original venues. Furthermore you will find piano concertos, the septet, Egmont and many more in the handmade box. Please find here more information about the box and the purchase.

Finally, Beethoven 2020!

For years we prepared for the Beethoven year 2020 and planned Beethoven activities. In 2020 the time has finally come, Beethoven celebrates his birthday and we celebrate with him.

The starting signal will be on 14 and 15 February with Ronald Brautigam and Melyn Tan and of course with a program full with Beethoven.

...a substantial performance...assured and buoyant...

Resound Recording Vol. 6

AllMusic | 05. Mar 2019

The production is never less than compelling to watch

Government shutdown...but Black Cat goes on

LA Times | 22. Jan 2019

Höchst beeindruckend und stimmig

Ein absolut stimmiges Programm, ebenso beeindruckend wie klangprächtig umgesetzt.

Oberösterreichische Nachrichten | 17. Dec 2018

The Sound of Weimar

I’ve not heard a better performance on disc or via broadcast.

Music Web International | 01. Nov 2018

The Sound of Weimar

The recordings are extremely clear and the use of period instruments really makes the details stand out brilliantly. Read more

Music Web International | 01. Nov 2018

"Super Faszinierend"

...Wer Beethoven anders als sonst - spontan und extrem musikalisch - hören möchte, kann Resound Beethoven nicht ignorieren.

de Gelderlander | 06. Jun 2018

Next concerts

Go to calendar

Mon, 16. Dec 2019

Long Beach | On Tour

Händel | Haydn | Mozart

Martin Haselböck

Programm:

Michel Corette: Symphonie de Noels for Organ and Orchestra

G. F. Handel: Organ Concerto op. 4/4

G. F. Handel: Motet for soprano, two oboes, strings and basso continuo ‘Saeviat tellus inter rigores’ [HWV 240]

J. Haydn: Concerto for Organ and Orchestra

J. Haydn: Benedictus from Little Organ Solo Mass

W. A. Mozart: Two Church Sonatas, KV 244 and 336 for Organ and Orchestra

W. A. Mozart: Motet for Soprano and Orchestra „Exsultate jubilate“, KV 165

ROBIN JOHANNSEN, SOPRANO

ORCHESTER WIENER AKADEMIE

MARTIN HASELBÖCK

Maestro Haselböck will play the Kravis Center's George W. Mergens Memorial Organ, a gift to the Center from Alex W. Dreyfoos.

Fri, 10. Jan 2020

20:00

Kaiserhaus Baden, Baden bei Wien | On Tour

RESOUND Landpartie

Tickets

Resound

PROGRAMM:

Wolfgang Amadeus Mozart: Quintett für Klavier, Oboe, Klarinette, Fagott und Horn Es-Dur, KV452

Joseph Haydn: Variationen in f-moll für Klavier, Hob. XVII/6

Ludwig van Beethoven: Quintett für Klavier, Oboe, Klarinette, Fagott und Horn Es-Dur, op.16

Mitwirkende:
Gottlieb Wallisch, Hammerklavier

BläsersolistInnen des Orchesters Wiener Akademie:
Emma Black, Oboe
Peter Rabl, Klarinette
Katalin Sebella, Fagott
Hermann Ebner, Naturhorn

Sun, 12. Jan 2020

11:00

Musikinstrumenten-Museum, Berlin | On Tour

Alte Musik Live: Pianoforte + 4

Tickets

Orchester Wiener Akademie

Bläsersolisten des Orchesters Wiener Akademie

Emma Black, Oboe
Peter Rabl, Klarinette
Katalin Sebella, Fagott
Hermann Ebner, Naturhorn
Gottlieb Wallisch, Hammerflügel

Das Programm dieser Matinee zum Beethovenjahr stellt die beiden Klavierquintette mit Bläsern von Wolfgang Amadeus Mozart und Ludwig van Beethoven einander gegenüber.

Mit seinem Quintett, am 1. April 1784 uraufgeführt, erschuf Mozart gleichsam eine neue Gattung und diente dem jungen Beethoven als Vorbild für sein op. 16, mit dem Beethoven nun das geistige Erbe Mozarts antrat. Bei beiden Kompositionen handelt es sich um ungemein virtuose und farbige Ausnahmestücke, die in unserem Konzert auf Originalinstrumenten erklingen. Die f-Moll-Variationen, ein Spätwerk von »Papa« Haydn, dem Lehrer Beethovens, komplettiert damit das musikalische Dreigestirn der Wiener Klassik.

Werke:
Wolfgang Amadeus Mozart, Quintett für Oboe, Klarinette, Fagott, Horn und Klavier Es-Dur, KV 452
Josef Haydn, Variationen in f-Moll für Klavier, Hob. XVII/6
Ludwig van Beethoven, Quintett für Oboe, Klarinette,
Fagott, Horn und Klavier Es-Dur, op. 1

Konzertkarten: 14 Euro | erm. 8 Euro
Kartenbestellung: Tel: 030.25481-178 oder kasse@mimpk.de
(Abholung bis 30 Minuten vor Konzertbeginn); Tageskasse

Sat, 08. Feb 2020

Long Beach | On Tour

Musica Angelica

Martin Haselböck

Program to be announced

Sun, 09. Feb 2020

Los Angeles | On Tour

Musica Angelica

Martin Haselböck

Program to be announced

See more dates

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Orchester Wiener Akademie brings the works of Beethoven, Mozart and Haydn back to the venues of their premiere performances, in their original sound.

Martin Haselböck & Orchester Wiener Akademie

Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today - indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the clear and transparent, yet velvety, soft sound the composers had in mind.

This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.

The orchestra's international reputation has been established through several pioneering achievements in concert, opera and on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological support.

This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.