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Next concerts
Thu, 28. Jan 2021
Beverly O‘Neill Theater | Long
Beach | USA | On Tour
Streaming
Martin Haselböck
Three streamed concerts with
Musica Angelica
Martin Haselböck
Musica Angelica
Martin Haselböck
Musik:
Johann Sebastian Bach - Toccata (aus Toccata und Fuge d-Moll, BWV 565)
Richard Wagner - Walkürenritt (arr. E. Lemare), Auszug
Johann Sebastian Bach - Alle Menschen müssen sterben, BWV 643
Johann Sebastian Bach/Franz Liszt - Weinen, Klagen, Sorgen, Zagen
Martin Haselböck - A whiter Air by Bac, The Grand Anthem (nach Variations on America von Charles Ives), Collage sonoro, Grand Organ Macabre Harmonica, Bigger than Life!, Grand Organ Improvisation / Psychocratic Barground (mit Tempo di Valse, op. 102/6, von Sigfrid Karg-Elert), Grand Organ Cacophonia und The Final Waltz (nach Prelude, op 18/1, von César Franck und der Klaviersonate D 959/2 von Franz Schubert)
Künstlerteam - John Malkovich, Michael Sturminger, Martin Haselböck
Live-Elektronik - Franz Danksagmüller
Ton - Christoph Hofer y Valentin Ledebur
Beleuchtung - Marcus Loran
Video - Paul Sturminger
Produktion - Felix Dennhardt
Kulisse - Andreas Donhauser
Johann Sebastian Bach - Toccata (aus Toccata und Fuge d-Moll, BWV 565)
Richard Wagner - Walkürenritt (arr. E. Lemare), Auszug
Johann Sebastian Bach - Alle Menschen müssen sterben, BWV 643
Johann Sebastian Bach/Franz Liszt - Weinen, Klagen, Sorgen, Zagen
Martin Haselböck - A whiter Air by Bac, The Grand Anthem (nach Variations on America von Charles Ives), Collage sonoro, Grand Organ Macabre Harmonica, Bigger than Life!, Grand Organ Improvisation / Psychocratic Barground (mit Tempo di Valse, op. 102/6, von Sigfrid Karg-Elert), Grand Organ Cacophonia und The Final Waltz (nach Prelude, op 18/1, von César Franck und der Klaviersonate D 959/2 von Franz Schubert)
Künstlerteam - John Malkovich, Michael Sturminger, Martin Haselböck
Live-Elektronik - Franz Danksagmüller
Ton - Christoph Hofer y Valentin Ledebur
Beleuchtung - Marcus Loran
Video - Paul Sturminger
Produktion - Felix Dennhardt
Kulisse - Andreas Donhauser
Thu, 25. Feb 2021
19:30
Hofmusikkappelle | Vienna
Haydn | RESOUND | JEUNESSE
Orchester Wiener Akademie
Resound
Michael Haydn: Missa Sancti Leopoldi, MH 837 (Mit
Chor)
Joseph Haydn: Konzert für Orgel und Streicher, Hob. XVIII/7
Joseph Haydn: Cantilena pro adventu
a due in g, Mutter Gottes, mir erlaube Hob. XXIIId:2
Wolfgang Amadeus Mozart: Vier Kirchensonaten für Streicher
und Orgel
C-Dur, KV 328
C-Dur, KV 328
F-Dur, KV 244
Es-Dur, KV 67
C-Dur, KV 336
Michael Haydn: Vesperae pro festo Sanctorum Innocentium für Soli, Chor and Orchestra,
MH 548
I Dixit Dominus II Confitebor Domine III Beatus Vir IV De Profundis V Memento VI Hymnus VII Magnificat
Wiener SängerknabenEinführungsvortrag von Dr. Rotraut Krall um 18:45 Uhr in der Kapelle
Sinfonie Nr. 2 in D-Dur, op. 36
Fassung für Klaviertrio von Ludwig van Beethoven, 1806
Sinfonie Nr. 3 in Es-Dur „Eroica“, op. 55
Fassung für Klavierquartett von Ferdinand Ries
Gottlieb Wallisch, Hammerflügel
Ilia Korol, Violine
Wolfram Fortin, Viola
Philipp Comploi, Violoncello
Konzert verschoben vom 7. November 2020
Fassung für Klaviertrio von Ludwig van Beethoven, 1806
Sinfonie Nr. 3 in Es-Dur „Eroica“, op. 55
Fassung für Klavierquartett von Ferdinand Ries
Gottlieb Wallisch, Hammerflügel
Ilia Korol, Violine
Wolfram Fortin, Viola
Philipp Comploi, Violoncello
Konzert verschoben vom 7. November 2020
Tue, 16. Mar 2021
19:30
Musikverein | Vienna
Händel, Casella | Musikvereins-Zyklus: 3. Konzert
Orchester Wiener Akademie
Georg
Friedrich Händel: Konzert für Orgel und Orchester B-Dur, op. 7/1
Jeremy Joseph (Orgel)
Georg
Friedrich Händel: Konzert für Orgel und Orchester g-Moll, op. 4/3
Martin Haselböck (Orgel)
Louis
Vierne: Marche triomphale, op. 46 für Orgel, Blechbläser und Pauken
Alfredo Casella: Concerto Romano, op. 43 für
Orgel und Orchester
Zita Nauratyill (Orgel)
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.