Chen Reiss, Carlos Mena, Daniel Johannsen and Florian Boesch will be our soloists
to perform selected catatas of Bachs Christmas Oratorio in the Musikverein on December 4th. Tickets are available at the Musikverein.
News
Next concerts
Sat, 23. Nov 2019
19:30 Uhr
Jesuitensaal, Österreichische Akademie der Wissenschaften | Vienna
BEETHOVEN: DIE KLAVIERKONZERTE I | RESOUND | JEUNESSE AB
Orchester Wiener Akademie
Resound
PROGRAMM:
Franz Schubert: Ouvertüre im italienischen Stil in C-Dur, op. 170
Einzeltickets sind ab 23. September erhältlich
Das Kozert findet in Zusammenarbeit mit der Universität für Musik und darstellende Kunst Wien statt.
Franz Schubert: Ouvertüre im italienischen Stil in C-Dur, op. 170
Ludwig van Beethoven: „Soll ein Schuh nicht
drücken“ Arie für Sopran und Orchester, WoO 91
Ludwig van Beethoven: Rondo für Klavier und Orchester in B-Dur
Wolfgang
Amadeus Mozart: Rezitativ und Rondo „Ch‘io mi scordi di te?“ für Sopran, Klavier und Orchester, KV 505
Ludwig
van Beethoven: "Erste Liebe, Himmelslust" Arie für Sopran und Orchester WoO 92
Ludwig van Beethoven: Konzert für
Klavier und Orchester Nr. 1 in C-Dur, op. 15
Chen Reiss, Sopran
Gottlieb
Wallisch, Klavier
Auf dem restaurierten Beethoven-Flügel von Conrad Graf aus dem Beethovenhaus
Baden
Einführungsvortrag: 18:30h im Konzertsaal
Dr. John Wilson, Universität
Wien
Einzeltickets sind ab 23. September erhältlich
Das Kozert findet in Zusammenarbeit mit der Universität für Musik und darstellende Kunst Wien statt.
Sun, 24. Nov 2019
17:00 Uhr
Casino Baden, Baden bei Wien | On Tour
BEETHOVEN ERHÖREN!
Resound
Gottlieb
Wallisch spielt auf dem restaurierten Beethoven-Flügel von Conrad Graf aus dem Beethovenhaus Baden.
Das
historische Hammerklavier, auf dem Beethoven während seiner Aufenthalte in Baden spielte, erklingt zum ersten Mal nach der
umfassenden Restaurierung.
PROGRAMM:
Ludwig van Beethoven: Phantasie
H-Dur, op.77
Franz Schubert: Aus den "Sechs Moments musicaux", D. 780
Ludwig van Beethoven: Klaviersonate
c-moll, op.13 "Pathétique"
Ludwig van Beethoven: Klavierkonzert Nr. 1 in C-Dur, op.15 (Fassung für Klavier
und Streichquintett von Vinzenz Lachner)
Klavierkonzert mit Gottlieb Wallisch und dem Solistenensemble des
Orchesters Wiener Akademie.
Wed, 04. Dec 2019
19:30 Uhr
Musikverein | Vienna
Johann Sebastian Bach | Musikvereins-Zyklus: 2. Konzert
Orchester Wiener Akademie
Programm:
J.
S. Bach: Weihnachtsoratorium BWV 248
Kantanten 1,2,3 und 6
Chen Reiss, Sopran
Carlos
Mena, Altus
Daniel Johannson, Tenor
Florian Boesch, Bass
Consort
Wiener Akademie
Fri, 13. Dec
2019
Los Angeles
| On Tour
Händel | Haydn | Mozart
Martin Haselböck
Programm:
M. A. Charpentier: Kyrie from Messe de Minuit
G. F. Handel: Concerto for Organ
and Orchestra , op. 4/4 plus Halleluja
G. F. Handel: Motet for soprano, two oboes, strings and basso continuo ‘Saeviat
tellus inter rigores’ [HWV 240]
J. Haydn: Concerto for Organ and Orchestra C-Major, Hob XVIII/1
J. Haydn:
Sanctus and Benedictus from Little Organ Solo Mass
W. A. Mozart: Laudate Dominum for Soprano, Choir and Orchestra
W.
A. Mozart: Ave verum
W. A. Mozart: Exsultate jubilate
ROBIN JOHANNSEN, SOPRANO
LONG
BEACH CAMERATA
MUSICA ANGELICA BAROQUE ORCHESTRA
MARTIN HASELBÖCK
Sat, 14. Dec 2019
Long Beach | On Tour
Händel | Haydn | Mozart
Martin Haselböck
Programm:
M. A. Charpentier:
Kyrie from Messe de Minuit
G. F. Handel: Concerto for Organ and Orchestra , op. 4/4 plus Halleluja
G.
F. Handel: Motet for soprano, two oboes, strings and basso continuo ‘Saeviat tellus inter rigores’ [HWV 240]
J.
Haydn: Concerto for Organ and Orchestra C-Major, Hob XVIII/1
J. Haydn: Sanctus and Benedictus from Little Organ
Solo Mass
W. A. Mozart: Laudate Dominum for Soprano, Choir and Orchestra
W. A. Mozart: Ave verum
W.
A. Mozart: Exsultate jubilate
ROBIN JOHANNSEN, SOPRANO
LONG BEACH CAMERATA
MUSICA
ANGELICA BAROQUE ORCHESTRA
MARTIN HASELBÖCK
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.