News
Next concerts
Sun, 19. May 2019
19:30 Uhr
Musikverein | Vienna
Bizet • Poulenc • Liszt: Musikvereins-Zyklus
| 4. Konzert
Orchester Wiener Akademie
Georges Bizet
Suite
Nr. 1 aus „L´Arlésienne”
Francis Poulenc
Concert champêtre für Cembalo und Orchester
Konzert
für Orgel, Streichorchester und Pauken g-Moll
Franz Liszt
Festklänge. Symphonische Dichtung
Nr. 7 (Uraufführung der Fassung 1861)
Martin Haselböck, Dirigent
Jory
Vinikour, Cembalo
Davide Mariano, Orgel
Thu, 23. May 2019
18:30 Uhr
Palais Schönburg | Vienna
Gartenkonzert | JEUNESSE
AB
Orchester Wiener Akademie
Resound
Gartenkonzert
mit anschließendem Fest im Schloss
Wolfgang Amadeus Mozart: Gran Partita - Serenade Nr.
10 in B-Dur für 13 Bläser, KV 361
Anschließend Fest im Schloss mit Tanzmusik von Mozart, Beethoven,
Schubert und historischem Tanzkurs (tantzart.at)
Bei Regen findet auch das Konzert im Schloss statt.
Fri, 24. May 2019
18:30 Uhr
Palais Schönburg | Vienna
Gartenkonzert | JEUNESSE CD
Orchester Wiener Akademie
Resound
Gartenkonzert mit anschließendem
Fest im Schloss
Wolfgang Amadeus Mozart: Gran Partita - Serenade Nr. 10 in B-Dur für
13 Bläser, KV 361
Anschließend Fest im Schloss mit Tanzmusik von Mozart, Beethoven, Schubert und
historischem Tanzkurs (tantzart.at)
Bei Regen findet auch das Konzert im Schloss statt.
Sun, 26. May 2019
18:00 Uhr
Jesuitenkirche | Vienna
Orgelkonzert
Martin Haselböck
Werke von Liszt
Wed, 12. Jun 2019
19:30 Uhr
Dominikanerkirche, Wien | Vienna
Orgelkonzert | Hans
und Martin Haselböck
Martin Haselböck
Mitwirkend:
Choralschola
der Universität für Musik und Darstellende Kunst Wien (mdw)
Leitung: Cornelius Pouderoijen OSB
Werke
von Franz Liszt und Improvisationen
Gesänge im Gregorianischen Choral
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.