We are looking forward to fall and to our new season 2020/21. Book or extend your subscription now, you will help directly to secure our concerts in the future. We are happy to present you three different types of subscriptions: Musikverein 2020/21, Resound 2020/21 and a very special one - Beethoven's symphonies in chamber arrangements.
News
Next concerts
Sat, 13. Jun 2020
20:00
Cemal
Reşit Rey Konser Salonu, Istanbul | On Tour
ABGESAGT: Beethoven
Orchester Wiener Akademie
Sophie Karthäuser, Sopran
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Sun, 14. Jun
2020
21:00
Ahmed Adnan Saygun Sanat Merkezi, Izmir | On Tour
ABGESAGT: Beethoven
Orchester Wiener Akademie
Sophie Karthäuser, Sopran
Orchester
Wiener Akademie
Martin Haselböck, Dirigent
Sun, 21. Jun
2020
11:00
Liszt Festival Raiding | On Tour
ABGESAGT: Liszt
Festival Raiding
Orchester Wiener Akademie
Franz Liszt: Evocation á la Chapelle Sixtine
Wolfgang Amadeus
Mozart:
Sinfonie Nr. 38 in D-Dur, KV 504 „Prager Sinfonie“
Sinfonie Nr. 41 in C-Dur, KV
551 „Jupiter-Sinfonie“
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Mon, 22. Jun 2020
Teatro Colon, Buenos Aires |
On Tour
ABGESAGT: Mozart
Orchester Wiener Akademie
Wolfgang
Amadeus Mozart
Sinfonie Nr. 38 in D-Dur, KV 504 „Prager Sinfonie“
Motette für Sopran und Orchester: „Exsultate jubilate“ KV 165 (158a)
Voi Avete un Cor fidele in G-Dur, KV 217
Sinfonie Nr. 41 in C-Dur, KV 551 „Jupiter-Sinfonie“
Theodora Raftis, Sopran
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Sinfonie Nr. 38 in D-Dur, KV 504 „Prager Sinfonie“
Motette für Sopran und Orchester: „Exsultate jubilate“ KV 165 (158a)
Voi Avete un Cor fidele in G-Dur, KV 217
Sinfonie Nr. 41 in C-Dur, KV 551 „Jupiter-Sinfonie“
Theodora Raftis, Sopran
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Wed, 24. Jun 2020
Cordoba, Argentinien | On Tour
ABGESAGT: Mozart
Orchester Wiener Akademie
Wolfgang Amadeus Mozart
Sinfonie Nr. 38 in D-Dur, KV 504 „Prager Sinfonie“
Motette für Sopran und Orchester: „Exsultate jubilate“ KV 165 (158a)
Voi Avete un Cor fidele in G-Dur, KV 217
Sinfonie Nr. 41 in C-Dur, KV 551 „Jupiter-Sinfonie“
Theodora Raftis, Sopran
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Sinfonie Nr. 38 in D-Dur, KV 504 „Prager Sinfonie“
Motette für Sopran und Orchester: „Exsultate jubilate“ KV 165 (158a)
Voi Avete un Cor fidele in G-Dur, KV 217
Sinfonie Nr. 41 in C-Dur, KV 551 „Jupiter-Sinfonie“
Theodora Raftis, Sopran
Orchester Wiener Akademie
Martin Haselböck, Dirigent
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.