In January we’ll be playing at the Mozartwoche for the very first time. We’re looking forward to great concerts with the Salzburger Marionettentheater and joyful pieces (Bastien und Bastienne, Der Schauspieldirektor). Unfortunately, there are only a few tickets for Jan 26, Jan 30 and Feb 2 available.
News
Next concerts
Fri, 25. Jan 2019
20:00 Uhr
Teatro Mayor Julio Mario Santo Domingo | Bogotá | On Tour
The Black Cat
Martin Haselböck
A nameless person sits on death row, awaiting his execution. What possessed him to murder his wife? He begins to tell his
story, the story of the black cat. Edgar Allan Poe’s novella delivers a dark journey into the abyss of a desperate murderer’s
soul. It is accompanied by a musical mashup combining English songwriter David Sylvian’s works and arias from J.S. Bach’s
cantatas.
Sat, 26. Jan 2019
16:00 Uhr
Salzburger Marionettentheater | On Tour
Mozartwoche
Salzburg - AUSVERKAUFT
Orchester Wiener Akademie
Wolfgang Amadeus Mozart:
Bastien
und Bastienne KV 50
Der Schauspieldirektor KV 486
„Bastien und Bastienne‘‘ war Mozarts
erstes
deutsches Bühnenwerk, damals war er erst zwölf Jahre alt, 18 Jahre später hat er sich im „Schauspieldirektor‘‘
humoristisch mit den Gepflogenheiten am Theater auseinandergesetzt.
Solisten:
Mojca
Erdmann, Laura Aikin, Paul Schweinester und Jory Vinikour, einer der renommiertesten Cembalisten unserer Zeit, als Dirigent.
Sat, 26. Jan 2019
20:00 Uhr
Teatro Mayor Julio Mario
Santo Domingo | Bogotá | On Tour
The Black Cat
Martin Haselböck
A nameless person sits on death row, awaiting his execution. What possessed him to murder his wife? He begins to tell his
story, the story of the black cat. Edgar Allan Poe’s novella delivers a dark journey into the abyss of a desperate murderer’s
soul. It is accompanied by a musical mashup combining English songwriter David Sylvian’s works and arias from J.S. Bach’s
cantatas.
Wed, 30. Jan 2019
19:30 Uhr
Salzburger Marionettentheater | On Tour
Mozartwoche
Salzburg - AUSVERKAUFT
Orchester Wiener Akademie
Wolfgang Amadeus Mozart:
Bastien
und Bastienne KV 50
Der Schauspieldirektor KV 486
„Bastien und Bastienne‘‘ war Mozarts
erstes
deutsches Bühnenwerk, damals war er erst zwölf Jahre alt, 18 Jahre später hat er sich im „Schauspieldirektor‘‘
humoristisch mit den Gepflogenheiten am Theater auseinandergesetzt.
Solisten:
Mojca
Erdmann, Laura Aikin, Paul Schweinester und Jory Vinikour, einer der renommiertesten Cembalisten unserer Zeit, als Dirigent.
Sun, 03. Feb 2019
16:00 Uhr
Salzburger Marionettentheater
| On Tour
Mozartwoche Salzburg - AUSVERKAUFT
Orchester Wiener Akademie
Wolfgang Amadeus Mozart:
Bastien und Bastienne KV 50
Der Schauspieldirektor KV 486
„Bastien
und Bastienne‘‘ war Mozarts erstes
deutsches Bühnenwerk, damals war er erst zwölf Jahre alt, 18 Jahre später hat
er sich im „Schauspieldirektor‘‘ humoristisch mit den Gepflogenheiten am Theater auseinandergesetzt.
Solisten:
Mojca
Erdmann, Laura Aikin, Paul Schweinester und Jory Vinikour, einer der renommiertesten Cembalisten unserer Zeit, als Dirigent.
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.