A dictator's final speech

Staged Production, performed in English
The entire world is on the hunt for the dictator Satur Diman Cha, Supreme Ruler of the Republic of Tscherkessien. After his regime is overthrown, the notorious dictator retreats underground. Accompanied by the journalist Caroline Thomas, the first platoon of soldiers from the liberating army breach his palace and enter a huge underground concert hall.
 

 

Back on Tour in December 2019/January 2020 | Dates to be announced
Please find more information here.

 

 

John Malkovich: Actor
Michael Sturminger: writer & director
Martin Haselböck: organ


There they find a massive pipe organ. Inspired by its presence, Rev. Lee Dunklewood, the field chaplain of the troops, begins to play the fascinating instrument.  During his performance, the soldiers are overpowered by the dictator, leaving only the reverend and Caroline as survivors.  The pair are now the hostages of Samas and understand that the situation is deadly serious. He threatens to kill them if they do not comply with his every wish, or with his demand that the reverend continue playing the organ for him. Ever capricious and unpredictable, the reverend and Caroline fear and must fight for their lives.

Caroline tries to survive by engaging Samas in conversation.  Taking a great risk, she asks the dictator to grant her an exclusive interview. Satura, appearing impressed by her defiant spirit, consents.

His political speech depicts the future he foretells for the rich and privileged, conjuring up a scenario of borders, fences and walls. Challenged by Caroline's questions, Satur expounds on the advantages and disadvantages of power and reflects on the sacrifices he had to make in order to achieve absolute rule. During his speech, the sound of the Reverend's organ playing becomes larger than life.

After the official part of the speech is finished, Caroline becomes even bolder.  She challenges him to reveal the man of power behind the mask, probing him with personal questions so that she can peer behind the facade. As her plan becomes clearer, Satur decides to play along, increasingly appreciating the intimacy developing between them.


  • Johann Sebastian Bach: Toccata (from Toccata and Fugue in d minor, BWV 565)
  • Richard Wagner: The Ride of the Valkyries (arr. E. Lemare) – extract
  • Johann Sebastian Bach: Alle Menschen müssen sterben, BWV 643
  • Johann Sebastian Bach/Franz Liszt: „Weinen, Klagen, Sorgen, Zagen“
  • Martin Haselböck: A whiter Air by Bach
  • Martin Haselböck: The Grand Anthem (based on C. Ives: „Variations on America“)
  • Martin Haselböck: Sound Collage *)
  • Grand Organ Macabre Harmonica *)
  • Bigger than Life! Grand Organ Improvisation/ Psychocratic Barground Improv (using Sigfrid Karg-Elert: Tempo di Valse, op. 102/6)/*)
  • Grand Organ Cacophonia *)
  • The Final Waltz (based on C. Franck: Prelude, op 18/1 and Schubert: Piano Sonata D 959/2)

*) With electronics by Franz Danksagmüller